![]() Results: A total of one hundred and forty-eight thousand, three hundred and twenty-two (148,322) patients aged 2 days to 95 years (mean: 34.85 ± 16.61 years) passed through the radiology departments between 2012 – 2014, and 2017 – 2019. The physical film jackets in both centers were consecutively scrutinized and the type and date of special investigation was noted. Concluded special investigations between 2012 – 20 – 2019 were enlisted. Methods: A retrospective extraction of data about special investigations from physical archives in the radiology department of two tertiary hospitals. Objective: To determine the throughput of all special investigations in the study locations with a view to ascertaining if the use of hysterosalpingography is declining or flourishing. Although ultrasound is used as first line investigation, its limited sensitivity to tubal patency has made hysterosalpingography (HSG), despite its radiation risks, as the procedure of choice. This health condition is the most frequently investigated in radiology departments across the country. Difficulty in cannulation during HSG, catheterization for RUCG and intravenous line insertion (30% n = 28) by the Radiologists hypertension in patients (14.0% n =13) booking for HSG beyond 10 days by the Radiographers (4.0% n= 4 ) and X-Ray machine and darkroom processor faults (6.0% n = 6) were noted as the major specific causes of rebook.Ĭonclusion: Good professional practice, proper clerking of patients and prompt repair of faulty X-ray machines will reduce the rebook rate for special examinations.īackground: Nigeria has an infertility rate of 4% to 48.1%. The factors responsible for rebooks were Radiologists (50.5% n = 48) patients (39.0% n = 37), Radiographer (4.2% n = 4) and machines (6.3% n = 6). Rebooked cases were 95 (18.0% rebook rate). ![]() But only 530 (98.7%) met the inclusion criteria. 537 examinations involving hysterosalpingography, HSG (44.7% n = 237), intra-venous urography (28.7% n =152), micturating and retrograde urethro-cystography (19.3% n =102), barium enema (4.5% n = 24) and colostography (2.8% n =15) were attempted between June 2012 and June 2014 by the centre in focus. Simple statistical tools like measures of central tendency and dispersion were used to analyze the data. However, concurrence of any two was included. Divergence in opinion amongst the three professionals was excluded. The Radiographers and Nurses were separately interviewed for their opinions on the causes of rebook. The cause of rebook as determined by the Radiologist was noted. The work was was carried out between June 2012 to June 2014. Materials and methods: This was a prospective, observational and interactive study between the researchers and the professionals involved in carrying out the special investigations Radiologists, Radiographers and departmental Nurses. New dates will go on sale to the public on Tue 8 Jul, 10am.Objective: To establish a quality control tool which assesses the rate of rebook in special investigations involving conventional radiography. Ticket holders who would like a refund will need to call Ticket Office on 01273 709709 by Fri 11 Jul. The Ticket Office is open until 6pm on Fri 4 Jul, 10am-5pm on Sat 5 Jul, and 10am-6pm on Mon 7 Jul. Ticket holders for the postponed performance on Thu 3 Jul who wish to rebook will need to call Ticket Office on 01273 709709 before Tue 8 Jul in order to keep their allocated seats. There will be an additional performance on Thu 24 July, 8pm. ![]() Please note that this event has been postponed until Wed 23 Jul, 8pm. Kick-ass in all the right ways.’ ★★★★★ Time Out ‘Hilarious, heart-breaking, troubling and inspirational. In typically screwball and humorous fashion, Bryony begs the question: what does it really take to be a Credible Likeable Superstar Role Model for a child of the 21st century? Winner of a clutch of awards at the Edinburgh Fringe in 2013, including 3 Weeks Editors Award and Fringe Review Outstanding Achievement Award, Credible Likeable Superstar Role Model is set in a fantasy land far from our own, where lines are drawn in the sand, girls become knights, eyeballs are gouged, wars are waged and people sell their souls. In an audacious, provocative protest against flagrant global attempts to sexualise and commodify childhood for profit, award-winning artist Bryony Kimmings (Sex Idiot, 7 Day Drunk) and her nine-year-old niece Taylor decided to play the global tween machine at its own game by inventing dinosaur-loving, bike riding, tuna pasta-eating, alternative pop star Catherine Bennett. ![]()
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